Photo of Jesse Stewart

Jesse Stewart

Kinesthesia (On Sabbatical, 2021-22)

Educational activity AREAS: Composition, improvisation, Jazz studies

Jesse Stewart is an award-winning composer, percussionist, visual creative person, researcher, and educator.

He has published widely on subjects including jazz, improvisation, hip hop, and experimental music in academic journals including American Music, Intermedialities, Black Music Research Periodical, and Gimmicky Music Review. He has authored nine book chapters and is currently working on two volume projects: a co-authored book (with Ajay Heble) on the pedagogy of improvisation, and a co-edited volume nigh Pauline Oliveros and the Adaptive Utilise Musical Instrument. He has given over 100 public talks at conferences, colloquia, and festivals around the world including numerous keynote presentations.

His music has been documented on over xx recordings including Stretch Orchestra's self-titled debut album which was honoured with the 2012 "Instrumental Album of the Year" JUNO honour. He has performed and/or recorded with musical luminaries including William Parker, Pauline Oliveros, Hamid Drake, Ernst Reijseger, Dong-Won Kim, Michael Snow, David Mott, and many others. He endorses Headhunters make drumsticks and Auracle handpans.

Jesse'southward music has been featured at festivals throughout Canada, the Usa, and Europe. He has been widely deputed as a composer and sound artist by organizations including the National Arts Heart Orchestra, the Guelph Jazz Festival, Ensemble Supermusique, the National Capital letter Commission,  the Section of Canadian Heritage, the Ottawa Chamber Music Festival, the Electric Fields Festival, the City of Toronto, Ottawa New Music Creators, Propeller Dance, Ottawa Dance Directive, Carleton Academy Art Gallery, and the Ottawa Fine art Gallery.

In add-on to his work every bit an academic, composer, and musician, he is a visual artist who has participated in over twenty exhibitions in public fine art galleries including the Museum of Contemporary Canadian Fine art, the Robert McLaughlin Gallery, Thames Art Gallery, the Glenhyrst Gallery, the Peterborough Art Gallery, the Macdonald Stewart Art Centre, and the Ottawa Art Gallery. V exhibition catalogues have been published nearly his work in the visual arts. With architect Matt Edwards, he formed Mixed Metaphors Design, a creative partnership that creates multi-sensory public fine art installations. In 2015, they were awarded a public commission by the City of Ottawa to create a audio sculpture titled The Listening Tree, a 15-foot tall stainless steel sound sculpture located in St. Luke'southward Park in Ottawa (https://vimeo.com/440512100 ).

He is committed to fostering customs health through music, fine art, and pedagogy. As a ways to that finish, he has taught five classes through Discovery Academy, a program run by the Ottawa Mission that provides free academy-level courses, taught by university professors, to individuals who are street-involved or are otherwise living in depression-income situations. He is too the founder of "We Are All Musicians" (WAAM), an organization dedicated to providing opportunities for individuals and groups to make music regardless of age, musical grooming, socio-economic circumstance, or power. Through the WAAM initiative, Jesse has conducted hundreds of inclusive music workshops and performances throughout N America, partnering with diverse community groups and organizations including: H'Art of Ottawa (at present Being Studio); the Alzheimer's Club of Ottawa and Renfrew County; Propeller Trip the light fantastic; Minwaashin Lodge; Regina Street Culling School; VibraFusion Lab in London, ON; AUMI-KU Interarts in Lawrence, Kansas; and many others. Through the WAAM project, he has collaborated with diverse communities including Ethnic youth, Deaf children, people with disabilities of various kinds, seniors with Alzheimer's, besides as children and adults from low-income backgrounds. For a documentary picture show about the We Are All Musicians project, run into https://vimeo.com/334477726.

Through the WAAM project, Jesse has developed or co-developed a variety of adaptive and assistive technologies that enable people with disabilities of various kinds (including those with limited motor command) to brand music. For instance, he has been involved in the development of the Adaptive Apply Instrument (AUMI), which is designed to adapt to anyone's musical and physical abilities; the AUMI uses a figurer webcam to runway movements—even very slight movements made by individuals with limited motor control—and translate those movements into music/sound. In 2018, he developed a system through which the AUMI activates mechanical strikers that can exist attached to acoustic instruments, thereby assuasive people with limited mobility to play traditional musical instruments using any mobility they may have. In addition, he co-adult (with a team of Biomedical Engineers and Industrial Designers at Carleton University) the SensAble Adaptive Use Musical instrument (SAMI), which uses arduino engineering, digital synthesis software, and an accelerometer to turn a foam brawl into a synthesizer controller such that the movements of the brawl in space create music.

In 2014, Jesse was named to the Club of Ottawa, a civic accolade that "honours residents who have excelled in their field and who have fabricated outstanding contributions to life in our communities." In 2017, he received the Ottawa Arts Quango's Mid-Career Artist Award. He is a co-investigator with several large-calibration inquiry initiatives including the International Institute for Disquisitional Studies in Improvisation (IICSI); the Research and Education in Accessibility, Design, and Innovation (READi) program; and the Music and Health Research Institute.

Books

Jamming the Classroom: Musical Improvisation and Pedagogical Practice . Co-authored past Ajay Heble and Jesse Stewart. Knuckles University Press (in press).

Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument.Ed. by the AUMI Editorial Commonage: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, IONE, Leaf Miller, Ray Mizumura-Pence, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks. Music and Social Justice Series. Academy of Michigan Press (in press).

Volume capacity

"'And Y'all Run Where Yous Tin can': Music and Memory in iii Canadian Hip Hop Videos." We Withal Here: Hip Hop Due north of the 49thursday Parallel. Eds. Mark Campbell and Charity Marsh. McGill-Queen'due south Academy Press, 2020.

Jesse Stewart and Niel Scobie. "Fantastic Voyage: the diasporic roots and routes of early Toronto hip hop." Contemporary Musical Expressions and Cultural Resonances in Canada. Eds. Anna Hoefnagels, Sherry Johnson, and Judith Klaassen, McGill-Queen'southward University Press, 2019.

"Improvisation Pedagogy in Theory and Exercise." Improvisation and Music Pedagogy: Beyond the Classroom . Eds. Ajay Heble and Mark Laver. Routledge, 2016.

"Learning to Get with the Flow: David Rokeby'due south Very Nervous System and the Improvising Body." Negotiated Moments: Improvisation, Sound and Subjectivity. Eds. Ellen Waterman and Gillian Siddall. Duke University Printing, 2016.

"Improvised Dissonance." The Improvisation Studies Reader: Spontaneous Acts. Eds. Ajay Heble and Rebecca Caines. Routledge, 2014.

"Articulating a Hip-Hop Sampling Aesthetic through Moving picture: Music and Retentivity in Three Hip Hop Documentaries." Sampling Media. Eds. David Laderman and Laurel Westrup. Oxford: Oxford University Press. 2014.

"Cyclical Fourth dimension Structures and Diatonic Rhythms in Musics of the African Diaspora." Space Instances: Studies and Images of Time. Ed. Olga Ast. New York: Mark Batty Publisher. 2011: pp. 82-87.

"Liberty Music: Jazz and Human Rights." Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making.  Eds. Daniel Fischlin and Ajay Heble.  Montreal: Blackness Rose Press. 2003: pp. 88-107.

Journal manufactures

Daniel Fischlin, Laura Risk, Jesse Stewart. "The Poetics of Engagement: Improvisation, Musical Communities, and the COVID-19 Pandemic. Volume Two: Viral Contagions and the Dream of Liveness." Disquisitional Studies in Improvisation 14.2-iii (2021). https://www.criticalimprov.com/index.php/csieci/commodity/view/6640

Daniel Fischlin, Laura Gamble, Jesse Stewart. "The Poetics of Engagement: Improvisation, Musical Communities, and the COVID-nineteen Pandemic." Critical Studies in Improvisation 14.one (2021). https://www.criticalimprov.com/index.php/csieci/article/view/6553

Elif Özcan, Lois Frankel, Jesse Stewart. "Uncommon music making: The functional roles of music in blueprint for healthcare." Music and Medicine 11.4 (2019) https://mmd.iammonline.com/index.php/musmed/article/view/707

Jesse Stewart, Sherrie Tucker, Kip Haaheim, and Pete Williams. "AUMI-Futurism: the Elsewhere and 'Elsewhen' of (Un)Rolling the Boulder and Turning the Page." Music and Arts in Action 6.1 (2017). https://musicandartsinaction.net/index.php/maia/article/view/140

"Musical Improvisation and the Academy." Music and Arts in Activity five.1 (2016). https://musicandartsinaction.net/alphabetize.php/maia/commodity/view/improvacademy

"Improvisation amongst the discourses." Music and Arts in Action five.ane (2016). http://musicandartsinaction.net/index.php/maia/commodity/view/improveditorial

"Retaining a New Format: Jazz-Rap, Cultural Memory, and the New Cultural Politics of Difference." Disquisitional Studies in Improvisation. Vol. 10 No. ane (2015). https://www.criticalimprov.com/index.php/csieci/article/view/3118

"Music and Memory in Keepintime." MUSIcultures 38 (2012). https://journals.lib.unb.ca/index.php/MC/article/view/20208/23310

"No Boundary Line to Art: 'Bebop' as Afro-Modernist Discourse." American Music 29.3 (Fall 2011): pp. 332-352.

"DJ Spooky and the Politics of Afro-Postmodernism." Blackness Music Research Journal. 30.two (Autumn 2010): pp. 141-165.

"Real to Reel: Filmic Constructions of Hip Hop Culture(southward) and Hip Hop Identities." Interdisciplinary Humanities26.2 (Fall 2009): pp. 49-67.

Creative Practise

Rich Tapestries: The Ongoing Story of WAAM. (2019) Directed by Hasi Eldib. https://vimeo.com/334477726

Music for solo drum gear up:
https://world wide web.youtube.com/watch?v=iM4Yt65lIoM
https://www.youtube.com/watch?v=l_T3CFyWL2I

Music for solo snare drum: https://vimeo.com/90074673

Music for rock: https://www.youtube.com/watch?v=tnrHqJdHvXo

Music for ice: https://vimeo.com/11910303

Music for bridge: https://vimeo.com/74345352

Music for bass drum and tunnel: https://www.youtube.com/watch?v=pb_gXpySDQ0

Music for handpan: https://vimeo.com/220826370

Voyager gilt record remix project using reactable: https://vimeo.com/144999450

Music for euphone: https://vimeo.com/569529892

Duo performance with Michael Snow:
https://vimeo.com/247580013
https://vimeo.com/247721596
https://vimeo.com/247725253
https://vimeo.com/247726821

Trio functioning with Sonoluminescence Trio (David Mott, William Parker, Jesse Stewart):
https://vimeo.com/228956315 (short)
https://vimeo.com/227183183 (long)

Trio performance with Numinosity (David Mott, Justin Gray, Jesse Stewart):
https://vimeo.com/244937968
https://vimeo.com/245002696
https://vimeo.com/245579318

Trio performance with Joe McPhee and Nicolas Caloia:
https://vimeo.com/285362416
https://vimeo.com/285374742
https://vimeo.com/285407172
https://vimeo.com/285547175
https://vimeo.com/285562333

Duo with Korean master percussionist Dong-Won Kim:
https://vimeo.com/254496333
https://vimeo.com/254511219
https://vimeo.com/254528477

Duo with tap legend Heather Cornell
https://vimeo.com/259793205
https://vimeo.com/259492144
https://vimeo.com/261013592

Adaptive Employ Musical Musical instrument documentary https://vimeo.com/349562100/79cfdf506a

Sounding Futures: Play Who Y'all Are. (2015). Directed by Kimber Sider. [Documentary nigh community music collaboration with Kidsability] https://vimeo.com/128524444

Turning the Page at H'Art of Ottawa. (2014). Directed by Andrew Hall. [Documentary virtually community music/fine art collaboration with H'Art of Ottawa] https://vimeo.com/114442912

Musical Improvisation at Country's End. (2016). Directed by Kimber Sider. https://vimeo.com/258869801

Interactive dome installation/performance with octamasher: https://vimeo.com/238293857

Interactive dome installation/performance with prepared turntables: https://vimeo.com/210678574

Interactive dome installation/functioning with amplified books: https://vimeo.com/201200511

Interactive dome installation/functioning with AUMI-equipped iPads and theremini: https://vimeo.com/244282707

Listening Tree, a sound sculpture by Mixed Metaphors Blueprint (Jesse Stewart, Matt Edwards) https://vimeo.com/440512100

Share: Twitter, Facebook
Short URL: https://carleton.ca/music/?p=420